The drama takes it form from the shifting scenes of memory, and Williams's surrogate self invites us to focus, in turn, on the various inhabitants or his dilapidated rooming house in the Vieux Carr... This description may be from another edition of this product.
*Vieux Carre* is probably the finest play of Williams' "Late" period--and it's terrific, though unfairly neglected. It's much more like the earlier work in terms of a "straight" narrative, and as good as it is I think we'll be seeing many more productions of it in the future.
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