Three Duos for Two Violas in Ancient Style, opus 131b, by Max Reger (1873-1916). Adapted for two violas by Roisber Narvaez. These duos were originally written for two violins in the spring of 1914 and were presented in three volumes by the German publisher N. Simrock, Berlin and Leipzig. Our adaptation is based on this first printed edition.It is possible that at the end of the composer's life his solo and chamber string works completed a great idea of his work, also, Reger's admiration for Bach was transcendental, in the Duos of you can appreciate the counterpoint character based on imitation between the two violas with a variety of combinations giving rise to an avant-garde style in chamber music that is not simply limited to an ?tude, despite the reiteration of melodies in different tonalities and the development of the exposed themes are highly demanding viola player's technique.The suggested fingerings of the first edition were suppressed, thus giving the interpreters the possibility to mark their fingerings according to their criteria. Any deviation from the original text that was made for the sake of clarity in favor of music, Roisber Narvaez Verlag here adopts his usual fastidious attention to truthfulness and critical wisdom by bracketing possible solutions. Tres D?os para Dos Violas en Estilo Antiguo, opus 131b, por Max Reger (1.873-1.916). Adaptada para dos violas por Roisber Narvaez. Estos d?os fueron escritos originalmente para dos violines en la primavera de 1914 y fueron presentados en tres vol?menes por la editora alemana N. Simrock, Berl?n y Leipzig. Nuestra adaptaci?n est? basada en esta primera edici?n impresa. Es posible que al final de la vida del compositor sus obras de cuerdas solistas y de c?mara completaban una gran idea de su trabajo, adem?s, la admiraci?n de Reger por Bach era transcendental, en los D?os de puede apreciar el car?cter contrapunt?stico basado en la imitaci?n entre ambas violas con variedad de combinaciones dando lugar a un estilo vanguardista en la m?sica de c?mara que no se limita simplemente a un ?tude, a pesar de, la reiteraci?n de melod?as en diferentes tonalidades y el desarrollo de los temas expuestos resultan de una gran exigencia t?cnica del ejecutante de viola.Las digitaciones sugeridas de la primera edici?n fueron suprimidas, dando as? la posibilidad a los int?rpretes de marcar de acuerdo a su criterio su digitaci?n. Cualquier desviaci?n del texto original que se hizo en aras de la claridad en favor a la m?sica, Roisber Narvaez Verlag adopta aqu? su habitual atenci?n fastidiosa a la veracidad y la sabidur?a cr?tica marcando entre corchetes las posibles soluciones.
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