Hopper was comfortable in both oil and watercolor, although his technique with each medium varied considerably. While oils were done in the studio, often from detailed sketches with notations on colors, the watercolors were painted on location and seem far more spontaneous. In the years since Hopper's death in 1967, many of his paintings have achieved iconographic status as statements about this country. His empty cityscapes and countrysides speak of our sense of loneliness and alienation, while his fascination with the light on Cape Cod and the buildings in Gloucester result in the evocation of feelings that can only be described as uniquely American. Published in association with the Whitney Museum of Art.
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