Jack Chambers, the Writer in Residence at an obscure state University at the far edge of Western Civilization, must help his students sort out Reality and Fiction to complete their MFA thesis novels before his last day on the job. They only have four months, and using each other's lives as inspiration doesn't make it easier. 'The Naomi Version' tells of life, love, chance and fate in Portland, Oregon (a remote outpost of Western Civilization.) Pleasantly cool and matter-of-fact, Oregon is no place for a magic realist and yet the visit by Isabel Vargas (or is she Raquel Balabuena?) becomes the catalyst for several implausibly Happy Ever Afters, guaranteeing readers their choice of cheerful, if somewhat unlikely, resolutions, a sparkling illustration of the principal character's advice: 'Reality becomes real to the extent that it resembles Fiction.' Or is it the other way around?
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