The monastic world, 1000-1300

by Christopher Nugent Lawrence Brooke

Book Overview

No Synopsis Available.

• Format: Paperback
• Language: English
• ISBN: 0394474783
• ISBN13: 9780394474786
• Release Date: January 1974
• Publisher: Random House
• Length: 272 Pages
• Weight: 4.95 lbs.

Customer Reviews

The original 1974 edition of a fine book since retitled twice!

A renowned professor joins his concise survey with Wim Swaan's expansive photos. The result's an ideal portal to enter cloisters, view naves, and walk via your armchair, for this is a heavy book worthy of a scriptorium, into ruins that comprise many abbeys today. The popularity of this academically grounded yet accessibly told narrative remains through three versions, reissued as "Monasteries of the World 1000-1300" in 1982 and with slight updating, "The Age of the Cloister" in 2002. Chapters move efficiently; Brooke chronologically describes the origins in the Middle East briefly before examining Benedict's Rule; Cluniac and related expansion; the daily routine (about 2 a.m. to 6:30 p.m.); eremetical movements such as Carthusians and Camaldolese, secular relations with growing political and mercantile forces 900-1050; and the twelfth-century renaissance of nascent humanism. Part Two looks at new orders: Augustinian canons, Cistercians, military hybrids, abbesses and priories, and birth of the Norbertines and the Franciscan friars. Part Three takes you to three exemplary abbeys: Fountains in Yorkshire in a remote beauty spot attests to the massive changes wrought on the environment and economy by Cistercians who built austere yet sprawling foundations all over Europe that today witness to their determination and organization. Brooke reminds us that in many rural areas where the White Monks entered, laborers likely lacked steady work outside harvest time, so the strain on resources supposed by critics of medieval monasticism may in fact have provided needed commerce and employment; he admits this topic (as of '74) needs study. Brooke provides endnotes and a bibliography that show the reader where to find out more than a necessarily rather short text within pages given rightly over to sumptuous or severe depictions of medieval art and architecture at their best. Mont Saint-Michel, memorably explored by Henry Adams, for Brooke shows the collision, literally, of a monastery not isolated from a town that crowded around it on the Norman sandbar coast. Awkwardly, it tries to "keep one's hands within reach of earth and heaven at once" while perched on a rock and stranded by the English Channel's tide today. Sant' Ambrogio in Milan reaches back to monastic roots with Ambrose, who influenced Augustine; the Roman Empire connects with the Roman Church, while showing too as "a palimpsest" the structural and symbolic accretions of Catholicism within its Italian bastion-- and as it spread northerly across the Alps. Brooke writes with verve for a topic deemed by many today doubtless devoid of h9humor. He sees the impossibilty of separating the gains accrued on earth with the treasures invested in heaven by the vexed Templars and Hospitallers as they tried to combine martial brutality with apostolic mercy in the defense of pilgrims and crusaders. He shows the power of a childhood recollection of weeping as he left his father forever, as in early centuries,