The Hotel

By Elizabeth Bowen

Book Overview

It was an exciting time for young women of the 1920s as they embraced liberation from the pre-World War I traditions of their mothers. In the mild Mediterranean climate of the Italian Riviera, a rebellious young Sydney Warren cautiously tested her newfound freedom, developing an intimate relationship with the charming middle-aged widow Mrs. Kerr that caused rumors and speculation to stir among the wealthy British guests of a luxurious seaside hotel.

A sapphic affair simmers beneath the surface of Elizabeth Bowen's captivating first novel, published in 1927. With its masterful storytelling, combined with Bowen's keen observations and elegant prose, The Hotel beautifully illuminates the contrast between the tranquil Italian setting and the underlying tensions among the privileged characters. The novel is a thoughtful exploration of social norms, personal identity, and the subtle dynamics of group interaction, resulting in a rich story that often relies on what is left unsaid as much as what is written on the page.

• Format: Paperback
• Language: English
• ISBN: 0486852849
• ISBN13: 9780486852843
• Release Date: April 2024
• Publisher: Dover Publications
• Length: 208 Pages
• Weight: 0.35 lbs.
• Dimensions: 0.7" x 4.8" x 7.6"

Customer Reviews

Bowen's Marvelous "Hotel"

I can't imagine anyone will see this, but if there is someone still interested in Elizabeth Bowen and particularly her first novel, "The Hotel," I should think it a shame were they put off by some of the negative comments one sees here. The Hotel has wit, intensity and an exquisiteness of description that is most unusual. The relations amongst the guests at the hotel are drawn humorously and with great subtlety. The Hotel is a first rate novel of manners which I found fascinating.

Strong Starter

This book taught me so much.... about writing, about the subtlety of emotions, about sensitivity and courtesy, about behavior. This was Bowen's first novel, and it's a powerful beginning. I always felt it was the least obtuse of her works, and that the later books all needed more editing, someone to say, "Elizabeth, what are you talking about?" In "The Hotel," her writing is idiosyncratic..., but one always understands what she's trying to say. I have so many highlighted lines in this book that I recall in various circumstances; Bowen seemed to have been an extremely keen observer. For instance, this line, about two very close friends who told each other everything: "They had pinned down the most slippery, ethical subtleties for absorbing, tireless analysis. Everything they said to each other was so TRUE." Or in regard to friends of the heroine's glamourous friend: "Men and women of supreme distinction and beauty, they never appeared in person, were never described and so were never allowed to diminish." Granted the heroine, Sydney, is somewhat neurotic, as another reviewer mentioned. And she's not the only one. One of the males is described: "He feels spikes everywhere and rushes to impale himself." That's just great! The actual narrative of "The Hotel" isn't the important part; it's the writing about people, how they speak, how they think, their motives, their actions. If you're the type of person who analyzes behavior, your own and others', you'll enjoy reading this book. If you like clever writing with tongue in cheek, you'll find lots to smile over.

Charming and very much of its period

The novel's storyline is fairly divided among several well-to-do British guests staying at a hotel on the Italian Riviera in the 1920s--mostly concerned with the subtle nuances of their emotional interactions with one another, the narrative eventually comes to settle on the neurotic Sydney (a young travelling companion to an invalid cousin) who has become overly attached to the beautiful and manipulative Mrs. Kerr.Though is far from Bowen's best, this is a wonderful read for anyone who has enjoyed the many novels of this period cocerning genteel Englishmen abroad--Forster's ROOM WITH A VIEW, von Arnim's THE ENCHANTED APRIL, and Woolf's THE VOYAGE OUT. The style is deceptive: you can get much more out of this on a second read than the first time round.