The First Book of Urizen

By William Blake and Clark [Introduction] Blake, William; Emery

Book Overview

The First Book of Urizen is a poetic and mythological work by the English poet and artist William Blake. Published in 1794, it is part of a series of illuminated books that Blake created, each... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 039473629X
• ISBN13: 9780394736297
• Release Date: January 1978
• Publisher: Random House
• Length: 102 Pages
• Weight: 0.52 lbs.

Customer Reviews

Blake's universal origins similar to those of Gnostics

Anyone else notice the parallels between Blake's illuminated text and the universal origins described in the recently uncovered scrolls contained in the Nag Hammadi Library, the ones that are the oldest origional records of the words of Jesus Christ in the Secret Book of James? From the ignorant splitting from the undescribable origional of the lesser and jealous "God" (arguably the Old Testament's Jehova) to the metaphor of the chain, it seems as if they could be mirror images. The interesting part is that the Nag Hammadi library was discovered in 1947- the same year the Dead Sea Scrolls were found-- and has been dated back to approximately 50 AD. Almost all other Gnostic writings had long been destroyed by the early Church. Read into this what you may, but Blake most probably never read this particular text. Personally, I take this as proof of at least authenticity, and moreover that Blake was in greater alignment, more like Christ, if you will, than most humans so far. I bet he could make a killer salad.

Incredible depiction of the rise of the human body

Blake's "The [First] Book of Urizen" is an incredible poetical and visual depiction of the rise of the flesh and the implications of being bound to our bodies. Particulalry interesting because the book manages to depict an occurance that, according to Blake himself, is impossible to describe. The use of the metaphorical tool of a mythology by the book comes as close as one could expect from a peice of writing to achieving this depiction (the rest, appropriately enough, is up to our imagination). It is this undertaking of what seems to be an impossible task (that of attempting to represent the metaphysical through the physical) that shows this poem's bravery.