From the author of The Summer Book and creator of the Moomins, an off-beat novel about a retirement community in sunny Florida. In The Summer Book and The True Deceiver, as in her many short stories, Tove Jansson was drawn again and again to the everyday life of the aged. Not as a group apart but as full-blooded people with as many jealousies, urges, and joys as any other group. It's no wonder that in her travels through America in the 1970s she became fascinated with what was then a particularly American institution, the retirement home, where older people live in their particular tightly knit worlds. In Sun City, Jansson depicts these worlds in a group portrait of residents and employees at the Berkeley Arms in St. Petersburg, Florida. As the narrative moves from character to character, so the characters move through an America riven by cultural divides, facing the death of its dream. The Berkeley Arms's newest resident finds a place among the rocking chairs and endless chatter on the veranda, while other residents long for past glories, mourning their losses and killing time. Meanwhile one of their attendants, Bounty Joe, is eagerly awaiting a letter, or even just a postcard, alerting him to the imminent return of Jesus Christ. "Nobody's normal anymore," as the bartender says, "not the old geezers and not the newborn kids."
Set in a private Floridian rest home called the Berkley Arms, "Sun City" is a tale of how many of America's elderly are spending their last days.Long admired for her "Moomin" books, Tove Jansson writes about the daily lives of a handful of retirees and the staff that provides for them. There's Thomson, the woman-hating recluse whose hobby is to write scathing reviews in the margins of library books before returning them; Mrs. Rubenstein, who believes enjoyment must be tempered with suffering to be real; Peabody, a mousy woman who feels guilty about everything, and a host of other folks who come complete with assorted quirks and closely guarded pasts.Just like in her children's books, Jansson's style is witty and uncluttered. She doles out enough snippets of the characters' earlier lives to maintain the reader's interest and never indulges in "we have to change the system" bombast.An excellent contrast to her earlier work, "The Summer Book".
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