Solo Guitar Playing: Bk. 2

By Frederick M. Noad

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• Format: Paperback
• Language: English
• ISBN: 0860016765
• ISBN13: 9780860016762
• Release Date: August 1980
• Publisher: Music Sales Ltd
• Length: 160 Pages
• Weight: 1.20 lbs.

Customer Reviews

Great classical guitar book

First let me say that I would not recommend this book unless you are at least an intermediate classical player, if not, then begin with Noad's "Solo Guitar Playing 1", which goes from beginner to intermediate. Both of these books come with a cd containing most of the songs from the book, and neither one has tab. Solo guitar 2 has some technical instruction, such as counting dotted notes, rest stroke and free stroke, slurs, trills and other ornaments, and a number of definitions of classical music terminology. This book covers the periods known as classical, romantic, renaissance and baroque, with exercises and songs from each, by masters such as Sor, Tarrega, Guiliani (including his exercises for the right hand), Bach, Handel and others. The material goes from fairly easy examples that will improve your speed, accuracy and sight reading ability, to "Recuerdos de La Alhambra" and "Estudio Brillante de Alard", which are advanced concert quality pieces by F. Tarrega. There is also a song by Frederic Hand called "Study number 1", which isn't exactly classical, but it is quite nice anyway. This is one of my favorite classical guitar books, the material was selected to be educational and very enjoyable as well. If you put in several months (years ?) of work on this book you will not regret it, and by the end, you will be able to play these great songs, and just about anything else that you could ever imagine.

A very good place to start.

This is the book I started with and I'm very glad I did! Noad is probably the most accessible guitar method author around. I'm self-taught and believe me there are many ways you can go wrong by being your own teacher. If you like the dummies genre of computer books you'll love this method. He doesn't assume you know anything to start with or try to impress with his advanced mastery. But he does have an intimate knowledge of what a beginner needs to know and how to impart that knowledge. His books one and two are an excellent example of what separates a great guitarist and teacher from just a great guitarist. But you need to read and re-read the text very carefully. There are subtle points, which if glossed over will cause untold pain and cursing later on. But it's all right there in the book. If you heed his advice and study twice as carefully as if you had an instructor who could catch those mistakes then you'll be ok! All these guitar methods (including this one) have one glaring deficiency: Lack of enough and varied practice material. Maybe I'm a little dense but classical guitar is not easy. It takes time and a LOT of practice! One can only repeat the same few lines of notation so many times without getting bored to tears. So I solved the problem by getting just about every method book known to man. After the first couple of books it starts to flow and become fun! Each book goes over the same concepts in a little different way with of course different practice pieces. The flaws of one book are cancelled by another and it becomes exciting as you move faster and faster through each text. What was once arduous becomes smooth and pleasant! The Carcassi book is great once you are a little more adept. It's purportedly for beginners but is rather dry and pedantic and a tough slog if you're just starting. There's some great stuff in there however if you already have the basics of notation down. I found it very useful for learning the higher positions. The Christopher Parkening books are great. He starts right out and then keeps going with very easy, pleasant sounding practice pieces, which helps keep your enthusiasm high. But like most others (unlike Noad) he leaves out small but crucial details that leave one scratching ones head or throwing projectiles. But if you've done Noad first you just say AH! I know what that is! Jason Waldron is also good and straight forward, easy to understand. (Although I wish he would come out with his second method book already!) He has a whole gaggle of songbooks (6) filled with familiar folk tunes, some classical and including CDs. They are very pleasant, easy, confidence building practice pieces. But I prefer Baroque. Noad does a very excellent book of Baroque pieces. He also has a Renaissance book with some very pretty tunes. What a joy to read and play such beautiful music from hundreds of years ago! It's definitely worth the work! Now, to end on a bit of a heretical note. I had to teach myself because I really

excellent!

I am just beginning to learn to play the classical guitar, and have purchased several books and this one is by far the best. It includes many exercises that you could practice on without getting bored. (Most other books contain one exercise per type of technique that they want to teach you, and it gets quite tedious.) This one has several similar exercises that you can move on even before mastering that one particular exercise, and return to find that you've already become proficient without working on the same song 50 times. It might be a good idea to also buy a book that is even more basic, possibly with tablature, just to get acquainted with the notes and positions. I strongly recommend this book!

I love this book.

Do get this book if you are going to try or are trying to learn how to play the guitar by yourself. The difficulty of exercises progresses slowly and with complete explanations before going on to more challenging material. Actual pieces of music are very pretty and fun to play, and footnoted at parts where the reader may encounter trouble. Of course, it does help a lot if you have prior experience in reading music. One of the things I like most about this book is that it does not have songs like "Old McDonald" and such. =) It starts solely with plain exercises, and then only when the reader is ready to play actual music does Noad integrate them into the lessons. The only problem I have with this book, which doesn't mean the book is in any way defective, is that it doesn't explain and teach chords very well, so playing music other than classical may be difficult if you learn guitar from this book only. But I think it's a great book anyway.