New Orleans's idiosyncrasies have been embraced by the world; Patty Friedmann gives us a tender, hilarious portrait of them in her new novel Side Effects. Set in N.O. Drugstore where hardscrabble black Pigeontown meets stuffy white Tulane, Side Effects is peopled with the true New Orleans oddballs who scuffle between the Seasonal Specials and Depends aisles -- all in full view of the pharmacy staff. Proudly plump blonde Luciana Jambon, dreadlocked and neatly compulsive Lennon Israel, and up-from-the-'hood Vendetta Greene have their own dramas of romance and friendship. A wacky and suspenseful story of family conflict and a death under suspicious circumstances, Side Effects serves most as a comical reminder that New Orleans loves nothing more than to laugh at itself.
My favorite beach read this summer!!!! I fell in love with the characters and the pharmacy stories interwoven into the story were so funny I'm sure they were based on real life patients. Not sure if Patty ever worked in a pharmacy, but she got all of the nuances of the work enviorment, the family atmosphere and the co-dependency of the pharmacy staff with each other (and their patients). The evolution of integrating all ethnicities into a work enviorment in today's day and time were also very true to life and interesting in this story as the main character (a white pharmacist) has her eye on her pharmacy student (a black man). The pharmacist is also best friends with her black technician and doesn't think twice about pitching in to become part of her family drama in repayment of all of the wisdom her employee/friend has given her with her own family drama usually initated by her upper crust sister-in-law upon the mysterious death of her mother. [...]
Side Effects, A New Orleans Love Story
Published by Thriftbooks.com User , 19 years ago
If Secondhand Smoke proved Patty Friedmann reigning Queen of Black Humor, her new novel, Side Effects, A New Orleans Love Story, presents her as the South's Queen of Compassion. I just met three vibrant new characters whose divisive racial, class and educational backgrounds should have them at each other's throats. Instead, these drugstore pharmacy employees, Ciana, Vendetta, and Lennon, bond together to solve a family murder. Each voice is an original; each character speaks in dialogue grounded in New Orleans. Their talk is street poetry, as unique to this city of soul as Mardi Grai or Jazz Fest. Like reading good poetry, I found myself backing up to savor the spoken syllables a second time. This is splendid reading, a driving narrative, not five stars so much as a small galaxy. Deborah Reed
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