Included are selections from Hacker's first book, Presentation Piece (1974), the Lamont Poetry Selection of the Academy of American Poets and a National Book Award Winner; Separations (1976); Taking Notice (1980), which was claimed as an integral part of the burgeoning feminist and lesbian canon; Assumptions (1985), which explored the conundrums of gender, race, and identity in contemporary life; and Going Back to the River(1990), which received a Lambda Literary Award.
I suspect she can rattle off blank verse in iambic pentameter without thinking about it. She can be as earthy as Sharon Olds ("Mother II"), self-deprecating as Philip Larkin ("Riposte") or amusingly Byronic ("Ballade of Ladies Lost & Found.") I appreciate her older poetry, but my admiration increases as I read the newer work, particularly the poems from the most recent collection in this book, Going Back to the River; I would mention "April Interval," "Nights of 1964-1966: the Old Reliable," "Elevens" and `Against Silence" as being particularly striking. She is a diva at my favorite forms: the sonnet and the sestina, and now, thanks to her I have found a new one, the canzone.
Truly Deserving of its National Book Award
Published by Thriftbooks.com User , 25 years ago
Hacker is a master of the sonnet, sestina, and villanelle. I'm always amazed when I arrive at the end of one of her poems and discover that elegant and natural words are arranged in one of these structured ways. Her words and images pull you into the poems and into Hacker's mind. Elegant. Beautiful.
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