Arthur Rubinstein (1887-1982) was a complicated man. His two-volume autobiography was an interesting read, but only revealed the portions of the pianist's life which he wanted known, was filled with numerous omissions and errors, contained a great deal of petty score settling (his comments about Heifetz, Schnabel and Horowitz were especially cutting), and remarkably little discussion of music. Harvey Sachs, whose acclaimed...
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I would like to contact the author, as am presently effecting a research on Villa-Lobos, and not-at this stage- write a review. I believe there are a few minor mistakes with respect to brazilian personalities (eg the brazilian pianist Antonieta Rudge had no connection whatsoever with Pound's friend, the american violinist Olga Rudge) , and precisions with respect to dates, programs of Rubinstein's concerts in the 1920s,...
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Arthur Rubinstein's tone and interpretations are legendary, and this book is filled with rich details of this keyboard master's life. He captures Rubinstein's complexity and emergence into a true joy in living and a love for playing for his audiences. Nonetheless, many sections require persistence and are tedious. I liked this book, but I have seen other biographies of great musicians that flowed more easily. Overall,...
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