Ten years ago, Ingmar Bergman traded in the technological tools of filmmaking for the simpler devices of prose. Yet the cinematic lens still seems to reside between his thoughts and his words. Private... This description may be from another edition of this product.
It's like reading a script for a masterpiece movie. Great book, but read it only, for full enjoyment, if you are inventive enough to do the film of the book inside your head. If you're not that kind of reader, it's still an excelent book, but you may be missing a great deal of it.
This book will haunt you
Published by Thriftbooks.com User , 27 years ago
This book is fragrant with familiar Bergman film images...icy black water; musty country homes with overstuffed furniture; well-ordered lives and well-ordered people quietly coming apart in a particularly polite Scandanavian manner. It makes one thing clear - the Bergman leitmotif, characters at once overcome but distant from themselves - simultaneously subjects and objects - is no artifact of his cinematic technique. He depicts his interiors much as we might imagine them from his exteriors. And as in film, images of nature represent the soul.Read this book. It will haunt you. It most probably will not alter your conclusions about love- but it will alter the way you think about the subject. It goes beyond easy categories of tragedy (although it is certainly that). It depicts the human condition as an imprisonment so tortuous, so hopeless, so inherently perverse, that it somehow becomes sublime. Misery as meditation. It will haunt you.
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