A swirling 1960s saga of the rise and fall of a true American icon. Rock Foxx is a rock star. But he is not just any rock star - Rock is an outrageous showman whose unprecedented mixed-race, mixed-gender band creates a new, socially conscious kind of music. Then, at the height of his fame, Rock suddenly disappears. In the hands of New Yorker editor Ben Greenman, this pseudo-bio of a fascinating character becomes both highly literary and immensely entertaining, a tale about rock'n'roll and about a complicated but key moment in American history.
Ben Greenman's "Please Step Back" takes us through the life of a true funk-rock heavyweight, a Vietnam-era star named Rock Foxx who blends the musical stylings of Miles Davis, Phil Spector, and Sly Stone with the unfettered debauchery of Jimmy Page and Motley Crue. Greenman's encyclopedic knowledge of the music and culture of the sixties and seventies emanates from every pore of "Please Step Back"; his fictional character, Rock Foxx, seems not only plausible but exceedingly real, in no small part because of Greenman's ability to recreate the tumult and passion of the era. Yet fame is fleeting. Foxx succumbs to the same tragedy that befell so many before him: an inescapable snowball of sex, drugs, and fame. And it continues to today. As of only two years ago, Britney Spears had fizzled, her popularity tapering off dramatically from that of her previous, turn-of-the-century self. Radiohead's 1995 album "The Bends" predicted (albeit incorrectly) that the band would rise too fast to survive, like a surfacing deep-sea diver. And yet, although mega-music stars aren't the most sympathetic characters around, it is hard not to feel some amount of empathy for people that become trapped in a uncontrollable lifestyle and environment. This holds all the more true for Rock Foxx. First you're curious about him, then you cheer him on, then you idolize him, and, finally, you empathize with him. A true rollercoaster journey is lying in the pages of "Please Step Back."
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