Edmund Wilson: Literary Essays and Reviews of the 1920s & 30s (Loa #176): The Shores of Light / Axel's Castle / Uncollected Reviews

By Edmund Wilson

With this inaugural volume of what will be a series devoted to Edmund Wilson's work, The Library of America pays tribute to the writer who first conceived the idea of a publishing series dedicated to "bringing out in a complete and compact form the principal American classics." Literary Essays and Reviews of the 1920s and 30s presents Wilson in the extraordinary first phase of his career, participating in a cultural renaissance and grappling with the crucial issues of his era.

The Shores of Light (1952) is Wilson's magisterial assemblage of early reviews, sketches, stories, memoirs, and other writings into a teeming panorama of America's literary life in a period of exuberant expansion and in the years of political and economic strife that followed. Wilson traces the emergence of a new American writing as he reviews the work of Ernest Hemingway, Wallace Stevens, E. E. Cummings, John Dos Passos, Thornton Wilder, and many others, including his close friends F. Scott Fitzgerald and Edna St. Vincent Millay. Little escapes his notice: burlesque shows and Henry James, Soviet theater and the magic of Harry Houdini, the first novels of Malraux and the rediscovery of Edgar Allan Poe.

Axel's Castle (1931), his pioneering overview of literary modernism, includes penetrating studies of Yeats, Eliot, Proust, Joyce, Gertrude Stein, and others. For several generations this book has stood as an indispensable companion to some of the crucial turning points in modern literature. Both these classic works display abundantly Wilson's extraordinary erudition and unquenchable curiosity, his visionary grasp of larger historical meanings, his gift for acute psychological portraiture, and the matchless suppleness and lucidity of his prose. For Wilson, there are no minor subjects; every literary occasion sparks writing that is witty, energetic, and alive to the undercurrents of his time.

In addition this volume includes a number of uncollected reviews from the same period, including discussions of H. L. Mencken, Edith Wharton, and Bernard Shaw.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

• Format: Hardcover
• Language: English
• ISBN: 1598530135
• ISBN13: 9781598530131
• Release Date: October 2007
• Publisher: Library of America
• Length: 1025 Pages
• Weight: 1.42 lbs.
• Dimensions: 1.2" x 5.3" x 8.1"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

A fascinating window into these decades and the artistic life of that time.

I am not sure why Edmund Wilson isn't discussed as much nowadays as he was previous during his lifetime. I find his writing about the artists and art of his day to be insightful, interesting, and always informative. His writing is interesting and alive. Of course, it is the rare critic who is read beyond his immediate generation, but I think Wilson deserves to be read and thought about. Of course, the modern (or post-modern) deconstructionist and sex fixated fashion is not a part of Wilson's world and that may well be why I like it much better than nearly all present-day critical writing. Certainly, it is wonderfully valuable in getting into the culture of the times when the artists he writes about were working and their now standard works were new and unknown. Reading about Joyce, Eliot, Hemingway, and many others when they were young and still creating new works was fascinating. Even now, we can see that Wilson had a keen eye and new what he was talking about (as long as he wasn't writing as a shill for socialism). Another factor that has probably put him out in the cold is his now unfashionable politics. He was an apologist for the USSR and Stalin. Of course, Putin has recently made signals indicating a possible rehabilitation of Stalin and maybe Wilson's political writing might be useful to him and those who would support such a hideous effort. I have no use for Wilson's advocacy for socialism and find it to be much weaker than his stuff on literature, theater, and culture (which, in former times, was not always seen as politics). This wonderful collection provides us with his essays and reviews that were collected in "The Shores of Light" and the book that put him in the big leagues of artistic criticism, "Axel's Castle". This volume also supplies some reviews that were not collected in book form. You not only get a look at the writers and artists of his time, but how Wilson sees them in the context of the artists of earlier times. For example, Axel's Castle examines literature from 1870-1930 through the works of six writers: W.B. Yeats, James Joyce, T. S. Eliot, Gertrude Stein, Marcel Proust, and Paul Valéry. He sees them as the culmination of a movement that began much earlier and discusses its origins and how these writers represent a fulfillment of the issues raise by Romanticism and so forth. This book is, I think, a very helpful introduction to not only those writers, but in providing a context for understanding them within their culture, their artistic goals, and how things were viewed at the time rather than being satisfied with our little paragraph passing judgment and dismissing those decades in retrospect. This book also has a chronology of Wilson's rather troubled life, notes on the text, other notes that explain certain issues within the text that a modern reader might need help with, and an index. A wonderful volume and very much worth exploring. Reviewed by Craig Matteson, Ann Arbor, MI

Edmund Wilson Canonized by Library of America

It's great to see Wilson get this recognition for his brilliant insights and fine writing. For many of us the writers and characters of the Twenties and Thirties hold a special fascination. Wilson who knew most or all of this celebrated cast of characters during this period is a splendid witness to these decades. It's book for dipping and browsing.

Must read for anyone interested in 20th century literature.

Re-reading these essays and reviews has simply increased my respect for Wilson. I can only say that reading Wilson has helped give me a framework for evrything I read.