For the past twenty years, Eliot Weinberger has been taking the essay far beyond the borders of literary criticism or personal journalism and into the realm of poetry and narrative. Full of stories, yet written in a condensed, imagistic language, his essays are works of the imagination where all the facts are verifiable. As entertaining as fiction and as vivid as poems, making unexpected stops in odd corners of the globe or forgotten moments in human history, erudite, politically engaged, and acerbically witty, there is nothing quite like his work in contemporary writing. In Karmic Traces, his third collection with New Directions, twenty-four essays take the reader along on the author's personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the hand-over to China, as well as on imagined voyages on a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And in "The Falls," the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncovering the deep roots of contemporary racism and violence.
Karmic Traces is a fascinating collection of essays featuring twenty-four of Eliot Weinbergers writings taking the reader along his personal travels ranging from the Atacama Desert to Iceland to Hong Kong. Here are also to be found imagined voyages among strange religious cultures and even stranger animals. The capping work is "The Falls", wherein Weinberger recapitulates 3,000 years of history to uncover the deep roots of contemporary racism and violence. Karmic Traces is a highly recommended body of writing that is as vivid as poetry, as entertaining as fiction, and as informative as any travelogue of mind and body.
Kafka, Vikings, & MTV: The Merging Point of Criticism & Art
Published by Thriftbooks.com User , 24 years ago
Aestheticians have, I think, long wrestled with the question of whether art's value lies in its spontaneity or its control. The spontaneous, like a volcano, will cover more intellectual ground, whereas the controlled, a sort of rose in the irion filings, gives us the precision of high aesthetic achievement. Here in Weinberger's book of essays, as much art as about art (or politics, culture, history, Iceland, and more), we experience the breadth & expanse of imaginative knowledge plus the exact control of fine writing & a clear mind; with Weinberger the volcano IS the rose in the iron filings. Nothing like essays anyone has ever written for school, nor like much of nonfiction available anywhere, these essays are moving in all senses of the word: they move from topic to topic, moving us as well. Weinberger, whose sense of language has come from years of translating Spanish and, recently, Chinese, is one of today's few intellectuals not affiliated with any university. He is thus as rare as an intellectual in medieval Europe unconnected to the Church; Karmic Traces, colossal & microscopic at once, is likewise as unique a find.
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