Edward Hopper's paintings are icons of American culture. His representations of gas stations, storefronts, cafeterias and hotel rooms embody the solitude of travel and adult life in the America of the... This description may be from another edition of this product.
Just because the previous reviewer didn't get what he expected from this volume doesn't mean it isn't brilliant in its own right. From an outsider's perspective (I am not an art critic, but a literary scholar), I found Mark Strand's insights into Hopper's work to be refreshing and insightful, the first collection of art criticism I have read that speaks thoughtfully and intelligently to its readership without making the assumption that the reader already has the thoughts and inclinations of the critic him or herself. Instead, this is a book that teaches, and I am grateful for it!
Lucid, dense, great.
Published by Thriftbooks.com User , 25 years ago
Far more than just about Hopper and his paintings. Strand uses the paintings -- and the emotional effects carried out as a result of their geometry -- as a case study in how an artist uses negative space and suggestion to create pathos. If I were teaching creative writing, or any kind of creative art, I would have my students read and re-read this book.
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