This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters... This description may be from another edition of this product.
The one-star review below has been bugging me for a long time. That evaluation is inane and absurd, an insult to a film scholar whom even the reviewer acknowledges is important. Sure, Wood's interpretive scheme may be occasionally a little heavy-handed, but I find he's usually right on the mark. (If The Omen isn't a reactionary film, I've never seen one.) And his frank views about sexuality I find brave and refreshing, especially in the repressed era we're going through at the moment. The reviewer below says he's a feminist-- yeeaahhh.... I see a genuine feminism in Wood-- but not in his detractor.
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