PREMIO NOBEL DE LITERATURA 2024 La autora que ha cautivado a millones de lectores en el mundo con novelas como La vegetariana y La clase de griego nos sorprende y deslumbra tambi n como poeta. «Una de las escritoras m s sublimes que pueblan el escenario contempor neo . --Berna Gonz lez Harbour, El Pa s Premio Nobel de Literatura en 2024, Han Kang se revela en Guard el anochecer en el caj n como la gran poeta que alienta tras sus muy celebradas ficciones. El «anochecer , ese espacio ambiguo entre dos luces, se convierte en el escenario en el que una voz dolida e inteligente nos habla de la soledad, la enfermedad, el encuentro entre muertos y vivos, la fuerza fr gil de la palabra, la necesidad del arte. Sin conocer en detalle la an cdota que genera el poema, el lector ingresa sin embargo en un mbito de inmediata y poderosa intimidad que acaba haci ndole part cipe de una especial trascendencia cotidiana. Se trata de una poes a delicada, oscura, inquietante y tremendamente visceral, que pone el cuerpo y las emociones en su mismo centro. Como ha dicho la autora en The New Yorker, «el lenguaje es como una flecha que siempre falla el blanco por un margen estrecho y es tambi n algo que transmite emociones y sensaciones que producen dolor . ENGLISH DESCRIPTIONNOBEL PRIZE IN LITERATURE 2024The author that has captivated millions of readers around the world with novels such as The Vegetarian and Greek Lessons surprises us and dazzles us as a poet as well. In I Put Away the Evening Inside a Drawer, Nobel Prize in Literature 2024 Han Kang reveals herself as a great poet that inspires after her most celebrated fictions. The "evening," that ambiguous space between two lights, becomes the backdrop of a wounded and intelligent voice that speaks of loneliness, disease, the meeting between the living and the dead, the fragile strength of words, a need for art. Without knowing the details of the anecdote that spurs the poem, the readers, however, enter a space of immediate and powerful intimacy that ends up making them participate in a special everyday transcendence. It is a delicate poetry, dark, unsettling, and tremendously visceral, that puts body and emotions at its very heart. As the author told The New Yorker, "Language is like an arrow that always misses its mark by a narrow margin, and it is also something that conveys emotions and sensations that produce pain."
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