In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture), Gone Primitive will engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson, Voice Literary Supplement
This is a good and useful book that attempts, in Gerald Graff's terms, to "teach the conflict," regarding the career of Primitivism as an aspect of Modernism. Recent battles over "primitive" have been particularly interesting, as they've been driven by ideological and class issues as well as the usual academic pettiness regarding vocabulary. The intensity with which the parties in this conflict grab at the imaginary high ground and wallop each other with boring prose and snotty asides is still interesting, because it's still happening. Like the _Bell Curve_ nonsense, it will not go away. But unlike that, and the "underclass" and social eugenics nonsense it serves, there is no good reason to pick a right and wrong side, here. So what I tend to look for is the interesting side. Who has something to say that doesn't bore me, and doesn't use boredom as a weapon? Torgovnick doesn't. The fight has gone on, and this book is no longer at the hot edge of it, but the disagreements continue and "scholarship" has not settled them. This book is a great place to look for a discussion of the issues. You might well argue with it, but that's largely what it's for.
a reflexive analysis of Western society
Published by Thriftbooks.com User , 25 years ago
This is a great book and a fascinating topic -- the way that Western peoples react to "the other," from rejection to outright cultural theft. Content deals with everything from art and design to popular media portrayals of the "primitive," to scholarly works such as Margaret Mead's Samoan study.
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