From Peepshow to Palace

By David Robinson

Book Overview

One hundred years ago, the crude realism of early cinematic exercises caused shockwaves among audiences - some even panicked. On one occasion, read a news report from the time, an old lady in the audience, quite unable to suppress a scream, started up in her seat and tried to scramble out, knocking over others on her way. This sort of reaction was not uncommon - on a screen that might have featured nothing more than minute-long dips of a running horse or a moving train, what modern viewers might see as a pale shadow of the explosive, full-colour blockbusters of 1995.

• Format: Hardcover
• Language: English
• ISBN: 0231103387
• ISBN13: 9780231103381
• Release Date: April 1995
• Publisher: Columbia University Press
• Length: 213 Pages
• Weight: 1.60 lbs.
• Dimensions: 0.8" x 7.3" x 9.3"

Customer Reviews

Good Overview

This book is hardly new, having been published in 1996. However, given that it is a potted history of the first two decades of since cinema, 1983 through 1913, this should hardly be troublesome. Since I have just read the book for the second time, and given there are no other comments (and taking into account that the title can be bought secondhand for under $2!) I thought a word or two might help encourage someone to pick it up. The main text of this book runs for a little over 170 pages. There are many lavish illustrations and pictures, including color inserts in the mid-section. The book sets out to document the rise of moving pictures from their very earliest origins (such as magic laterns) to the epics of GW Griffith. Since the first documented Magic Lantern apears to be from 1420, you can see that the book starts at the very beginning of what can be considered moving projected images for entertainment. By 1893 the likes of Edison and his company were set on their way to defining, and refining what we know as cinema today. The book covers developments quite well, and while there are books out there that have more detail, it can be advantageous to have a title such as this that condenses the topic for an educated overview. The stories told here include technological developments, patent litigations, the rise of the Nickleodean, the rise of multi-reel films, the development of a star system, the Director, the photographer, experiments in sound and color, the development of marketing campaigns, the cinema poster, the import of movies from and to Europe, and the effects of the First World War on film production. It's quite a canvas to cover in so few pages, but for me that is the beauty of this volume, short, concise, and to the point. I'd recommend this as a starting point for people interested in the development of motion pictures. If you want more detail you can get other titles later, but as an introduction, this serves well.