Going to the Dogs

By Erich Kästner

Book Overview

Going to the Dogs is set in Berlin after the crash of 1929 and before the Nazi takeover, years of rising unemployment and financial collapse. The moralist in question is Jakob Fabian, "aged thirty-two, profession variable, at present advertising copywriter . . . weak heart, brown hair," a young man with an excellent education but permanently condemned to a low-paid job without security in the short or the long run. What's to be done? Fabian and friends make the best of it--they go to work though they may be laid off at any time, and in the evenings they go to the cabarets and try to make it with girls on the make, all the while making a lot of sharp-sighted and sharp-witted observations about politics, life, and love, or what may be. Not that it makes a difference. Workers keep losing work to new technologies while businessmen keep busy making money, and everyone who can goes out to dance clubs and sex clubs or engages in marathon bicycle events, since so long as there's hope of running into the right person or (even) doing the right thing, well--why stop? Going to the Dogs , in the words of introducer Rodney Livingstone, "brilliantly renders with tangible immediacy the last frenetic years in Germany] before 1933." It is a book for our time too.

• Format: Paperback
• Language: English
• ISBN: 1590175840
• ISBN13: 9781590175842
• Release Date: November 2012
• Publisher: New York Review of Books
• Length: 280 Pages
• Weight: 0.50 lbs.
• Dimensions: 0.5" x 5.1" x 8.0"

Customer Reviews

A Moralist Mirrors a Culture's Diseased Soul

Erich Kastner, a writer in the German Enlightenment tradition perhaps best known as a German poet and author of children's books, wrote a scathing satirical novel about decadence during the Wiemar Republic. Kastner's target is the political, economic, cultural, and spiritual climate of the years preceeding the rise of the Third Reich. He caricatured the times in an effort to awaken his contemporaries to the elements that contributed to the gathering storm. Jacob Fabian, after whom the book is named, is portrayed as a either a passive figure who waits for a return of decency or one for whom there was no place in such a deteriorating society. His life adventures served as Kastner's diagnosis of the diseased soul of Berlin. Fabian's escapades mirrored the interior world of a city seemingly oblivious to what it was doing to itself. He lost his job, sweetheart, and best friend in a series of events which eerily highlights what was truly at stake in such a culture. The suicide of Fabian's friend as a hapless reaction to what was later discovered to be a cruel joke is a metaphor for the heartlessness of the era. I was struck by the books apparant parallels to our own time and found the author's message to be nearly prescient. In his preface to the 1950 German edition he wrote of the moralist's task to defend "lost causes" and to "fight on notwithstanding." Kastner's quixotic writing deserves a fresh reading by Americans given our diseased culture at the end of the twentieth century. While his mood and some of his caricatures will raise the ire of some, the overall impact of the book is ample reward for the tolerant reader.