Excursions in the Real World: Memoirs

By William Trevor

Book Overview

These autobiographical tales are about people and places, personal fascinations and enthusiasms, that have remained snagged in William Trevor's memory over the years. He writes here of childhood and youth, of his schools and university days, his early life in Dublin and London, of Ireland and of England. Most of the portraits are of people who have either been well known to him or casually met a few are drawn from the imagination, though the subjects are real. Some of the landscapes are equally familiar to him, while others are merely glimpsed: Persia in the early seventies, a Swiss valley, County Cork in the thirties, a Gloucestershire village, Venice in November, New York and San Francisco. "Places do not die as people do," William Trevor writes in his introduction, "but they often changed so fundamentally that little is left of what once they were. The landscape of the Nire valley that spreads over a northern part of Country Waterford is timeless, but the Dublin remembered here is the Dublin of several pasts, and elsewhere among these impressions there is that same dichotomy."Affectionate, poignant and often gently humorous, these essays are an expansion of a writer's notebook. Such excursions into memory convey the essence of William Trevor's world - read in conjunction with Lucy Willis's graceful illustrations, they illuminate unforgettably the background to this celebrated novels and short stories.

• Format: Hardcover
• Language: English
• ISBN: 0679430296
• ISBN13: 9780679430292
• Release Date: January 1994
• Publisher: Alfred A. Knopf
• Length: 200 Pages
• Weight: 1.05 lbs.
• Dimensions: 0.9" x 6.3" x 9.2"

Customer Reviews

The Autobiography of a Contemporary Master

Admirers of Trevor's masterly fiction will enjoy these incisive, witty, heartbreaking essays revisiting his youth and early adulthood. The short piece about his parents is probably the most moving thing he's ever written. Most writers use autobiography to settle scores; Trevor uses it to give shape to the life of memory--a shape, in its own way, just as artful and just as true as the shape he gives to the life of his fiction.