As early as 1954 -- well before such popular books as Rachel Carson's Silent Spring -- the influential Lutheran theologian Joseph Sittler wrote on the need to think about "a theology for earth."... This description may be from another edition of this product.
"Evocations of Grace" is a small sampling of Joseph Sittler's writings and thoughts on ecology, theology and ecumenism from 1954-75. Martin E. Marty (University of Chicago) wrote a very personal foreward describing Sittler as a truly gifted "theologian, rhetor, teacher, exemplar". Sittler was a pioneer in terms of speaking out on the environment from a Christian perspective. His description of nature (both organic and works of art, poetry, dance) was the "theatre of God's of grace". He made a landmark speech at the 1961 World Council of Churches on ecumenism. Sittler's writing is interesting and alive because he "insisted that his loose, unsystematic manner of exposition was appropriate to the dynamic and interrelated character of experience, and to the concrete particularity of occasions of grace". "Evocations" is a fantastic introduction to a bit of Sittler's "corpus of work"--how Joe would have loved to play with THAT phrase!
An unknown, underappreciated pioneer
Published by Thriftbooks.com User , 23 years ago
Evocations of Grace is a compilation of some of the writings and musings of American Lutheran Joseph Sittler. This corpus of work spans from 1954 to 1975. Martin E. Marty gives a very personal glimpse of Sittler who attracted small groups of students who listened for any tidbit they could glean as he walked through Chicago's Hyde Park. Sittler wrote and spoke on the environment in the '50's. He influenced Teilhard de Chardin's work on the "cosmic Christ". In 1961 he made a landmark speech on ecumenism at the WCC meeting in New Delhi. Sittler's incarnational view of nature as "God's theatre of grace" shaped much of his theology on "creation-as-grace". Sittler is an interesting theologian to read because of his style of using poetry and literature (which he considered to be part of nature, along with art, dance, etc...) in his "loose, unsystematic manner of exposition". "Evocations" is a fine introduction to a theologian who will hopefully, one day, be recognized for the pioneering theologian he was.
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