Sixty extraordinary years of Eurovision, from C?line Dion to Dustin the Turkey, from Abba to Conchita Wurst - the drag acts, the bad acts and all the nul points heroes.
For 60 years the Eurovision Song Contest has existed in a parallel universe where a song about the construction of a hydro-electric power station is considered cutting-edge pop, where half a dozen warbling Russian grandmothers are considered Saturday night entertainment, where a tune repeating the word 'la' 138 times is considered a winner, and where Australia is considered part of Europe