Einstein: A Hundred Years of Relativity

By Andrew Robinson

Book Overview

Illustrating spectacular architectural feats and creations of great beauty, this handbook introduces children to the original Seven Wonders of the World as well as the monuments on the new list. The creativity and ingenuity of human history are captured in detail as these icons of world culture are explored, offering opportunities to discover amazing civilizations, technological innovations, and a shared global heritage. Interesting sidebars, fun trivia, and entertaining illustrations make for an accessible and engaging trip through time while hands-on projects encourage active learning. With minimal adult supervision and using supplies commonly found in most households, activities range from creating a model Colosseum to fashioning a working water pump. From the Pyramids of Egypt and the Hanging Gardens of Babylon to the ruins of Machu Picchu and the Great Wall of China, this activity book conveys the value of preserving the world's treasures.

• Format: Hardcover
• Language: English
• ISBN: 0810959232
• ISBN13: 9780810959231
• Release Date: October 2005
• Publisher: Harry N. Abrams
• Length: 256 Pages
• Weight: 3.03 lbs.
• Dimensions: 1.0" x 8.4" x 10.4"
• Age Range: 13 years and up
• Grade Range: Grade 8 to Postsecondary

Customer Reviews

A masterpiece on Einstein's life and work

Very well planned, full of meaningfull illustrations, accurately written and revised,this book deserves special attention of everyone interested in Einsteins's personal life and scientific production. Recommended with enthusiasm.

Best of its kind

This is a review of "Einstein: A Hundred Years of Relativity," by Andrew Robinson. For the last three or four years, I have both actively and passively searched for a good introductory book on Einstein, something that is accessible to me as an intelligent non-scientist, but that is broader in scope than I take most of his biographies to be. I want a good, clear explanation of special and general relativity, but I also want to know more about the pacificist and cultural icon, about Einstein as a humanist. No one book has filled the niche. Either you find good discussions of his physics, or you find books on his love life, or you find books that are beautifully produced but have very little substance. As the centennial of the "miraculous year" of 1905, 2005 has seen a bumper crop of books on Einstein, many of them poorly conceived and some richly priced. But this book is just what I've been looking for for the last few years. The Editorial Review is wrong in stating that all entries are new except for Einstein's last interview. In fact, a few pages from Einstein's autobiography are also included--and that indicates one reason why this book is so well done. It is divided into two parts; the first has seven chapters on "The Physicist"; the second has eight chapters on "The Man." All of these are written by Andrew Robinson. But interspersed with this biographical-chronological-topical layout are essays by other authors. Einstein contributes a few pages to Part One and a few to Part Two. But there are also four essays by others in Part One and five essays by others in Part Two. It's thrilling to read Stephen Hawking on the history of relativity and Philip Glass on his operatic take on Einstein. The book is not hagiographical. Freeman Dyson's preface mainly discusses the embarrassing (for Einstein) peculiarity that Einstein did not believe in black holes. The book is full of other goodies. Though the text is more than one finds in a typical coffee-table book, the illustrations are of that beauty and quantity. It's an illustrated book with well-chosen pictures, always with captions. There are notes in the back, a detailed chronology of his life, and a (non-annotated) bibliography. The whole is made authoritative not only by the caliber of its contributors, but by its use of Einstein's archives housed at Hebrew University in Jerusalem. The only way this book could be better is if there were more of it; sometimes the discussions feel rushed and compressed. Also, despite Robinson's literary credentials, I'm not partial to his somewhat awkward, hypertactic writing style.