Echoes of Violence: Letters from a War Reporter

By Carolin Emcke

Book Overview

"Nobody I ever met on my assignments . . . asked me for direct, practical help. . . . But over and over again people have asked me: 'Will you write this down?' "--Echoes of Violence
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Echoes of Violence is an award-winning collection of personal letters to friends from a foreign correspondent who is trying to understand what she witnessed during the iconic human disasters of our time--in Iraq, Lebanon, Afghanistan, and New York City on September 11th, among many other places. Originally addressing only a small group of friends, Carolin Emcke started the first letter after returning from Kosovo, where she saw the aftermath of ethnic cleansing in 1999. She began writing to overcome her speechlessness about the horrors of war and her own sense of failure as a reporter. Eventually, writing a letter became a ritual Emcke performed following her return from each nightmare she experienced. First published in 2004 to great acclaim, Echoes of Violence in 2005 was named German political book of the year and was a finalist for the international Lettre-Ulysses award for the art of reportage.

Combining narrative with philosophic reflection, Emcke describes wars and human rights abuses around the world--the suffering of civilians caught between warring factions in Colombia, the heartbreaking plight of homeless orphans in Romania, and the near-slavery of garment workers in Nicaragua. Freed in the letters from journalistic conventions that would obscure her presence as a witness, Emcke probes the abyss of violence and explores the scars it leaves on landscapes external and internal.

• Format: Hardcover
• Language: English
• ISBN: 0691129037
• ISBN13: 9780691129037
• Release Date: February 2007
• Publisher: Princeton University Press
• Length: 352 Pages
• Weight: 1.20 lbs.
• Dimensions: 1.2" x 5.8" x 8.4"

Customer Reviews

Not your usual war reporter

Although Carolin Emcke's compelling new book is subtitled "Letters from a War Reporter," she fits none of the stereotypes that the rubric of war reporter suggests. Nowhere in her writing does the reader find the cynical, hard-bitten media professional who -- writing on short deadlines for a largely uninformed audience -- has little interest in exploring complexity or challenging the conventional wisdom. Emcke's letters, written first for her friends and later compiled for publication, give the back story that is left out of most international news reporting. Reading them, one sees a thoughtful but utterly human person at work -- not an omniscient narrator, but someone with emotions, opinions, subjectivity, and humor. Emcke describes herself as a witness, and some of the most compelling passages in the book reveal her grappling with the difficulty of being a faithful witness to situations that are in some sense indescribable. Emcke has an eye for the telling detail. Describing a hotel in Prishtina, Kosovo, for example, she notes on a visit in 2000 that "the porn magazine in the desk drawer offers 'phone sex with mature women' in a country with no functioning telephone lines." (A few years later human rights observers documented the role of NATO troops and UN police in encouraging the rapid growth of sex-trafficking and forced prostitution in Kosovo.) Unlike reporters who cover local or national beats -- who can assume that their readership shares a history and culture with the people described, or is at least familiar with that history and culture -- journalists covering foreign crises have to do more than report the facts: they have to translate between worlds. Emcke's moving book shows that this role of translator requires sensitivity, empathy, and understanding, qualities she has in abundance.