Double Trouble: Bill Clinton and Elvis Presley in the Land of No Alternatives

By Greil Marcus

Book Overview

From the critic who knows music and culture like no other, a fascinating look at two outsiders who epitomize America's fractured self-image In June of 1992, when all polls showed Bill Clinton didn't have a chance, he took his saxophone onto theArsenio Hall Show, put on dark glasses, and blew "Heartbreak Hotel." Greil Marcus, one of America's most imaginative and insightful critics, was the first to name this as the moment that turned Clinton's campaign around--and to make sense of why. InDouble Trouble, drawing on pieces he published from 1992 to 2000, Marcus explores the remarkable and illuminating kinship between Bill Clinton and Elvis Presley. In a cultural landscape where ideals and choices are increasingly compromised and commodified, the constantly mutating representations of Clinton and Elvis embody the American struggle over purity and corruption, fear and desire. Focusing as well on Hillary Clinton, Nirvana, Sin?ad O'Connor, Andy Warhol, Roger Clinton, and especially Bob Dylan, Marcus pursues the question of how culture is made and how, through culture, people remake themselves. The result is a unique and essential book about the final decade of the twentieth century.

• Format: Hardcover
• Language: English
• ISBN: 080506513X
• ISBN13: 9780805065138
• Release Date: September 2000
• Publisher: John MacRae Books
• Length: 248 Pages
• Weight: 0.95 lbs.
• Dimensions: 0.9" x 5.8" x 8.6"

Customer Reviews

bringing up the average

This book should probably rate somewhere around 3 or 4 stars. It isn't Marcus's best--that would be MYSTERY TRAIN or LIPSTICK TRACES--but anything by this fine critic is a whole lot better than the average nonfiction tripe out there (e.g., another cash cow "case" against one or both of the Clintons).Granted, the connection between Elvis and BC is no stronger than the connection between, well, me and Mahatma Gandhi, but if you hold a magnifiying glass up close enough to a watermelon and squint your eyes, you can see an image of the Virgin Mary. And a number of pieces collected under this misleading title are not concerned, even in a Marcusian "world in a leaf of grass" way, with either Elvis or Clinton. Having said this, no one understands the relationship between rock and American culture, past and present, better than Marcus. He is always wise, trenchant, and--though sometimes overly mystifying--strongly moral. As I read Marcus I always think, "This guy's on my side; he's saying what I would like to say if I could think of the right words." This applies to a lesser Marcus work (like this one) as well as the major ones (and he's about due for one sometime soon).