Contributors delve into the aspirations embodied in the modernist urbanism of Bras lia and the work of Lotty Rosenfeld, a Santiago performance artist who addresses the intersections of art, urban landscapes, and daily life. One author assesses the political possibilities of public art through an analysis of subway-station mosaics and Julio Cort zar's short story "Graffiti," while others look at the representation of Buenos Aires as a "Jewish elsewhere" in twentieth-century fiction and at two different responses to urban crisis in Rio de Janeiro. The collection closes with an essay by a member of the S o Paulo urban intervention group Arte/Cidade, which invades office buildings, de-industrialized sites, and other vacant areas to install collectively produced works of art. Like that group, City/Art provides original, alternative perspectives on specific urban sites so that they can be seen anew.
Contributors. Hugo Achugar, Rebecca E. Biron, Nelson Brissac Peixoto, N stor Garc a Canclini, Adri n Gorelik, James Holston, Amy Kaminsky, Samuel Neal Lockhart, Jos Quiroga, Nelly Richard, Marcy Schwartz, George Y dice