The Bachelor of Arts

By R.K. Narayan

Book Overview

"There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."--Graham Greene

Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.

"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight."--Margaret Parton, New York Herald Tribune

• Format: Paperback
• Language: English
• ISBN: 0226568334
• ISBN13: 9780226568331
• Release Date: October 1994
• Publisher: University of Chicago Press
• Length: 266 Pages
• Weight: 0.70 lbs.
• Dimensions: 0.6" x 5.3" x 8.0"

Customer Reviews

The education of a melancholy bachelor

"The Bachelor of Arts" is the second of a thematic trilogy that begins with "Swami and Friends" and ends with "The English Teacher"--three novels that collectively take their characters from the innocence of youth through the disappointment of love to life's first tragedy. Yet this tale of Chandran, a college graduate unlucky in love, is (as Graham Greene notes in his introduction) "a funny and happy book" at its core--particularly when compared to Narayan's later melancholy, tragic books--yet a closer reading shows us the "shadow [that] had been there from the beginning." The first part of "Bachelor" is an unexpected treat: a farcical, satirical look at the sillier, exhausting rituals of academic life in colonial India. The opening scene features a debate on whether "historians should be slaughtered first"--and Chandran, a history student himself, is required to argue in the affirmative. From there, our poor student is appointed by his professor as secretary of the school's new Historical Association, an honor that adds to his duties but hardly helps his studies. In between, he frequents the cinema with his best friend and dutifully maps out a grand plan for exam preparation--a plan that is revised daily due to the impossibility of following it. The debate society, his friends, his academic career--all has been poor preparation for life's setbacks. ("The classroom or the club or the office created friendships. When the circumstances changed the relations, too, snapped.") The giddiness of the novel takes a sharp turn when the circumstances do change: Chandran falls in love at first sight and is rejected, causing him to cast aside the comforts of life and to leave home. The rest of the novel follows our Bachelor of Arts (still a bachelor in life) as he educates himself about the one subject neglected during his collegiate career: himself. It's such a simple and simply told story, but it illustrates beautifully the complexities of finding one's place in the world.

Young and educated in South Asia

A very pleasant and interesting look at the life of a young man in South Asia. Only moderately engaged by his studies at the university, Chandran spends most of his time going to movies, staying out late, drinking at the café, and generally socializing with his friends. With some prodding from his father, he overcomes his laziness sufficiently to graduate, only to find his problems just beginning. Chandran's predicament should be very familiar to many readers. Bright and charismatic, but lacking any real focus, he has difficulty finding employment. Upon graduation his peer group separates, and he needs to make new friends. And his parents, who are only eager to see him make something of himself, can't help but find fault with his carefree, unproductive lifestyle. What's a Bachelor of Arts to do? His unrequited love for a young girl named Malathi makes for an interesting look at how courting was handled in traditional Indian families not so many decades ago, complete with horoscopes and dowries and class consciousness. But ultimately, isn't it the couples' willingness to commit to each other that matters, and not how they happen to meet? Every bit as fascinating is Chandran's sojourn as an ascetic, which is reminiscent of a Hermann Hesse novel, but with a uniquely critical perspective that only a native Indian could provide. Narayan's prose has a warm serenity that never fails to evoke small-town South Asia. What his plots lack in excitement and intensity, they make up for in geniality. This particular novel has perhaps a little more excitement than some of the others, and would be a good entry point for young people just discovering Narayan.

A young man finding his place in India

I could identify with the main character as he completed his studies and began moving into the 'real' world. His spiritual journey, though not complete at the books end, was very interesting. The (paraphrased) line "they thought they were the first of their type and the last..", referring to his radical friends from his university days, struck a chord. We all slowly realize that our own well-used mold was indeed not broken after they made us. More followed. Alas, we all take our place in society and make the best of it.Simply written and easy to read. I recommend it.

Excellent book

The story of Chandran, a final-year student of History, on how love tranforms ambitions, alters goals and changes lives is the theme of this wonderful book.Written masterfully with just the right amounts of comedy, emotions and twists, and teeming with sarcasm characteristic of Narayan, this book takes a broad look at values and customs. For example, the long scenes wheres discussion about horoscopes and Chandran's disagreement with his mother are all so very close to life in India.A great book, an excellent read....

A work of rare beauty

Probably the best work of RK Narayan, this novel has a beauty that transcends time and space. Its written in a simple and mellifluous style and yet, has an underlying profundity that is incomparable. Anyone can identify with Chandran, the protagonist as he goes through the emotions of love, hatred and detachment. And 'callous realism' - that one's for the ages. One can see RK Narayan, a true master at work in this novel.