Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived." This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes--alienation, the absurdity and tragedy of human existence--have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. The book includes well-known pieces such as "The Lady with the Little Dog," as well as less familiar work like "Gusev," inspired by Chekhov's travels in the Far East, and "Rothschild's Violin," a haunting and darkly humorous tale about death and loss. The stories are arranged chronologically to show the evolution of Chekhov's art. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This collection of short stories truly is about love. Not happy-ending fairytale love, but the love that really exists in the world: usually unequal felt, sometimes obsessive, and often inexplicable. The stories are all beautiful, well written and self-contained. Each story exhibits a different type of love: love of parents for children, unrequited love, obsessive love, forbidden loves, loves that could have been. Most fascinating to me is the way Chekhov has written the stories so we can see the motivations of all the various lovers. Some of them really want security, an interest to distract them from their meaningless lives, or just sex. In so many cases, what we would like to call love is just avarice. However the stories are not bleak. There are moments when true concern for others breaks through the characters innately selfish natures. I love Chekhov because his stories feel real, his characters aren't just characters. They are human, with all of our vices, and our slim redeeming virtues.
the translation
Published by Thriftbooks.com User , 19 years ago
A well-picked, well-translated, small collections of stories with a sweet introduction (the same translator also wrote a biography of chekhov). She tackled C's long and bold sentences with her own, and has an interesting idea about the "musicality" of C's writing... So warm the samovar, let the serfs off early, and go nuts with this one.
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